Caliban and the Witch

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Caliban and the Witch
Women, The Body, and Primitive Accumulation
Silvia Federici

Caliban and the Witch is a history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages to the witch-hunts and the rise of mechanical philosophy, Federici investigates the capitalist rationalization of social reproduction. She shows how the battle against the rebel body and the conflict between body and mind are essential conditions for the development of labor power and self-ownership, two central principles of modern social organization.Table of Contents Preface Introduction All the World Needs a Jolt: Social Movements and Political Crisis in Medieval Europe The Accumulation of Labor and the Degradation of Women: Constructing “Difference” in the “Transition to Capitalism” The Great Caliban: The Struggle Against the Rebel Body The Great Witch-Hunt in Europe Colonization and Christianization: Caliban and Witches in the New World Index Bibliography “In the neoliberal era of postmodernism, the proletariat is whited-out from the pages of history. Silvia Federici recovers its historical substance by telling its story starting at the beginning, with the throes of its birth. This is a book of remembrance, of a trauma burned into the body of women, which left a scar on humanity’s memory as deep and painful as those caused by famine, slaughter and enslavement. Federici shows that the birth of the proletariat required a war against women, inaugurating a new sexual pact and a new patriarchal era: the patriarchy of the wage. Firmly rooted in the history of the persecution of the witches and the disciplining of the body, her arguments explain why the subjugation of women was as crucial for the formation of the world proletariat as the enclosures of the land, the conquest and colonization of the ‘New World,’ and the slave trade. Documenting the horrors of state terror against women, Federici has written a book truly of our times. Neither compromising nor condescending, Caliban and the Witch expresses an unfailing generosity of spirit and the dignity of a planetary scholar. It is both a passionate work of memory recovered and a hammer of humanity’s agenda.” – Peter Linebaugh, author of The London Hanged

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